1817 Fourth Street
Berkeley, CA 94710
Phone: 510.845.6874
From the Publisher:
Published to critical acclaim more than a decade ago, The Frank Lloyd Wright Companion brought together in one volume all the essential descriptions, photographs, and plans of everything built by America's most famous architect. Now, for this handsomely produced revised edition, William Allin Storrer brings the history of every Wright structure up to the present. Organized chronologically, The Frank Lloyd Wright Companion features a description of each building that details the history of its design, construction, and ownership. Floor plans allow readers intimate access to each of Wright’s built works. With nearly 1,000 photographs (many new to this edition), elevations, historical images, and floor plans that show changes in Wright’s preliminary plans, this reference is unmatched in its authority The indispensable centerpiece of any Wright collection, the newly revised Companion is a must for any serious library of art and architecture.
492 pages, hardcover. University of Chicago Press (October 2006)
197-A Second Street
Langley, WA 98260
Phone: 360.221.8331
804 Montgomery Street
San Francisco, CA 94133
Phone: 415.391.6757
804 Montgomery Street
San Francisco, CA 94133
Phone: 415.391.6757
804 Montgomery Street
San Francisco, CA 94133
Phone: 415.391.6757
804 Montgomery Street
San Francisco, CA 94133
Phone: 415.391.6757
1817 Fourth Street
Berkeley, CA 94710
Phone: 510.845.6874
804 Montgomery Street
San Francisco, CA 94133
Phone: 415.391.6757
804 Montgomery Street
San Francisco, CA 94133
Phone: 415.391.6757
1817 Fourth Street
Berkeley, CA 94710
Phone: 510.845.6874
From the Publisher;
Dormers bring light and air into an existing space and add character and dimension to a structure's external appearance. This invaluable book features more than 700 color pictures featuring homes and structures adorned with an awe-inspiring variety of dormer additions. The illustrations and imagery portray eve gable, double gable, hipped-roof, arched, round, oval, eyebrow, pediment, triangle, flat, turret, deck, and inset dormers, to name a few. If you are a homeowner, student, or professional involved in architecture, design, remodeling, or construction, you will find this reference an invaluable addition to your library.
192 pages, hardcover. Schiffer (August 2007)
1817 Fourth Street
Berkeley, CA 94710
Phone: 510.845.6874
From the Publisher;
This is a book that students of architecture will want to keep in the studio and in their backpacks. It is also a book they may want to keep out of view of their professors, for it expresses in clear and simple language things that tend to be murky and abstruse in the classroom. These 101 concise lessons in design, drawing, the creative process, and presentation--from the basics of "How to Draw a Line" to the complexities of color theory--provide a much-needed primer in architectural literacy, making concrete what too often is left nebulous or open-ended in the architecture curriculum. Each lesson utilizes a two-page format, with a brief explanation and an illustration that can range from diagrammatic to whimsical. The lesson on "How to Draw a Line" is illustrated by examples of good and bad lines; a lesson on the dangers of awkward floor level changes shows the television actor Dick Van Dyke in the midst of a pratfall; a discussion of the proportional differences between traditional and modern buildings features a drawing of a building split neatly in half between the two.
Written by an architect and instructor who remembers well the fog of his own student days, 101 Things I Learned in Architecture School provides valuable guideposts for navigating the design studio and other classes in the architecture curriculum. Architecture graduates--from young designers to experienced practitioners--will turn to the book as well, for inspiration and a guide back to basics when solving a complex design problem.
128 pages, hardcover. MIT Press (September 2007)
804 Montgomery Street
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Phone: 415.391.6757
P.O. Box 472
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Phone: 717-618-0481
1817 Fourth Street
Berkeley, CA 94710
Phone: 510.845.6874
From the Publisher:
New ideas on how to design, build, and decorate a home are always of essential value to architects, designers, and homeowners alike. This book offers an extensive collection of apartments from all over the world, devised by distinguished international architects and designers who have worked to achieve practical, innovative, and stunning solutions adapted to the specific needs and particular tastes of their clients. This compilation expresses the diversity of current trends in apartment design and provides an inspirational source of ideas for those active in the field of design or interested in catching up on the latest in contemporary residential architecture.
599 pages, hardcover. Collins Design (February 2007)
1817 Fourth Street
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Phone: 510.845.6874
804 Montgomery Street
San Francisco, CA 94133
Phone: 415.391.6757
P.O. Box 5252
Eugene, OR 97405
Phone: (541) 683-3131
P.O. Box 9 143 B Montauk Highway
Westhampton, NY 11977-0009
Phone: (631) 288-0090
1817 Fourth Street
Berkeley, CA 94710
Phone: 510.845.6874
From the Publisher:
During the Second World War, American architecture was in a state of crisis. The rationing of building materials and restrictions on nonmilitary construction continued the privations that the profession had endured during the Great Depression. At the same time, the dramatic events of the 1930s and 1940s led many architects to believe that their profession—and society itself—would undergo a profound shift once the war ended, with private commissions giving way to centrally planned projects. The magazine Architectural Forum coined the term “194X” to encapsulate this wartime vision of postwar architecture and urbanism.
In a major study of American architecture during World War II, Andrew M. Shanken focuses on the culture of anticipation that arose in this period, as out-of-work architects turned their energies from the built to the unbuilt, redefining themselves as planners and creating original designs to excite the public about postwar architecture. Shanken recasts the wartime era as a crucible for the intermingling of modernist architecture and consumer culture.
Challenging the pervasive idea that corporate capitalism corrupted the idealism of modernist architecture in the postwar era, 194X shows instead that architecture’s wartime partnership with corporate American was founded on shared anxieties and ideals. Business and architecture were brought together in innovative ways, as shown by Shanken’s persuasive reading of magazine advertisements for Revere Copper and Brass, U.S. Gypsum, General Electric, and other companies that prominently featured the work of leading progressive architects, including Louis I. Kahn, Eero Saarinen, and Walter Gropius.
Although the unexpected prosperity of the postwar era made the architecture of 194X obsolete before it could be built and led to its exclusion from the story of twentieth-century American architecture, Shanken makes clear that its anticipatory rhetoric and designs played a crucial role in the widespread acceptance.
About the Author: Andrew M. Shanken is assistant professor of architectural history at the University of California, Berkeley. His work has appeared in numerous publications, including Art Bulletin, Design Issues, Landscape, Places and Planning Perspectives.
288 pages, paperback. University of Minnesota Press (March 2009)